The inter-circuit split between the Sixth Circuit (zero tolerance license rule) and Ninth Circuit (allowing de minimis sound recording sampling).
In Bridgeport Music (2005), the Sixth Circuit established a bright-line zero-tolerance rule for sound recordings: 'Get a license or do not sample.' Conversely, the Ninth Circuit in VMG Salsoul (2016) rejected Bridgeport, holding that the ancient common law maxim de minimis non curat lex applies equally to sound recordings under 17 U.S.C. § 114. This creates significant national uncertainty for neural audio synthesis, token quantization, and micro-audio sampling models.
Sixth Circuit applies strict zero-tolerance liability even to unrecognizable micro-second guitar samples, while Ninth Circuit permits trivial sampling that an average reasonable audience would not recognize as appropriated.